Win the pitch with the real thing.
Send a live link instead of forty slides describing an interactive idea nobody can feel — then build the delivery from the same graph.
Pitch it, then ship it. Same graph.
Pitch something the client can actually open
An interactive idea dies in a deck, because a still of an experience is not the experience. Send a link instead. The client opens it on their own phone, in their own time, and shows it to the person who signs — and you're being judged on the thing rather than on your description of it.
The pitch artefact becomes the build
What you made to win the work is a working graph, not a throwaway. You start delivery from the thing the client already said yes to, rather than from an empty repository and a fortnight of rebuilding your own prototype.
Cut the bespoke build time that eats project margin
Most interactive projects are a fresh custom build, and the custom build is where the budget goes. Here the engine, the deploy path and the operator surface already exist — so your team spends its hours on the idea rather than on plumbing it has written before.
Hand over a client-safe surface for the revisions round
Expose the handful of things the client is allowed to change — copy, a colour, an image, a date — and lock the rest. Small changes stop coming back to you as tickets, and nobody can break the layout while making them.
Reuse across clients without merging them
Your team's Recipes travel — a scroll mechanic built for one client is a starting point for the next. Each client's project stays its own system with its own assets and its own brand, so reuse is craft, not copy-paste with the logo swapped.
Same pitch, two shapes.
Today
The pitch is a deck and a mood film. Everyone in the room agrees it looks great, and nobody has touched the idea. If you win, the build starts from zero — a fresh custom stack, a new deploy path, and a prototype that gets thrown away.
With nooodles
The thing you pitched is the thing you ship. The client played with it before the award; delivery continues from the same graph; and the revisions round runs through a surface you chose rather than through your producer's inbox.
The deliverable itself can be the experience.
A variant set or a batch of renders is a workflow — it hands the client's team files to place. The other way out is a scene: a live experience at a URL that their audience opens and uses, embedded in their site or standing on its own.
So you're not handing over a folder of assets and hoping they get implemented correctly. You hand over the running thing — and it stays yours to change when the next round comes in.
The asset delivery
Variants, cutdowns and renders — files the client's team places across their channels.
- Mode
- Workflow
- Who opens it
- You and the client's team
The live piece
A page, a configurator, an embedded widget — the client's audience opens it and uses it.
- Mode
- Scene
- Who opens it
- Their audience
Start from something that already works.
These ship with the beta — open them, run them, or take them apart.
Pitch Link
SceneSend the interactive idea instead of a deck.
by Jacques ParysEmbed Widget
SceneDrop a live scene into an existing site.
by Jacques ParysOperator Panel
SystemExpose five controls and lock everything else.
by Jacques ParysVariant Matrix
WorkflowRun the full product × message × market grid.
by Jacques ParysWhat agencies ask first.
Can we white-label the deliverable?
Yes, at the right plan. Studio white-labels the deliverable — what you ship carries your client's brand and not ours. Enterprise white-labels everything, editor and runtime included, so even the tool your client's team operates is yours. See pricing.
Who owns the work?
Your graphs, your Recipes and your output are yours — we don't take a claim on client work made in the tool, and your contract with your client governs what transfers to them. On the authorship question underneath it: in the US, purely machine-generated output has no copyright protection — the D.C. Circuit settled that in 2025 and the Supreme Court declined to hear the appeal in 2026. Because a nooodles workflow is an explicit graph a person authored, the result carries documented human creative direction — the strongest authorship position AI-assisted work can hold.
Can clients edit it safely?
That's the hand-off. The author decides exactly which controls are exposed — a headline, a date, an image, a colourway — and locks the rest. The client gets a form, not the graph, so they can make the change they want without reaching anything that would break the piece.
Can it run on client infrastructure, under NDA?
Hosted is the default. When a client contract requires it, open models can run on hardware you or they control, so material that can't leave the environment doesn't. That's the Studio and Enterprise option — see motion design studios for how it's set up.
How fast can a team pick it up?
If your people already work in any node-based tool, the model transfers immediately — operator families, a cook graph, typed connections. The genuinely new part is that the web document is a family too. Start from a Recipe, take it apart, and build the next pitch from what you learned.
Bring us the pitch you're working on.
Tell us what you're chasing and how you'd normally present it. We'll show you what the live version looks like, with your idea rather than ours.
Working with a team?
Tell us where to reach you and we'll set up a walkthrough.
No spam. A real reply from a human.